This collection consists of the set drawings of American set designer Bob Blum. Artwork includes sketches, paintings, and watercolors.

This collection consists of scripts of American comedy writer Jay Burton (1916-1993). This collection includes sketches and scripts for The Texaco Star Theatre, The Buick-Berle Show, The Perry Como Show, The Julius Larosa Show, and 11 volumes of monologues for Milton Berle.

This collection consists of the papers of art director and production designer Robert Clatworthy (1911-1992). Materials include scripts, location photographs, film stills, sketches, storyboards, set designs, and architectural information for films that he worked on.

This collection includes production stills, costuming notes, and costume illustrations from various film projects worked on by American costume designer Renié.

This collection consists of scripts, storyboards, and a few newspaper clippings from the work of American film and television director John Frankenheimer (1930-2002).

This collection consists of correspondences, drawings, articles, photographs, and the business dealings of the Los Angeles Theatre, the Tower Theatre, and the Cameo Theatre. These theatres were all once owned by H. L. Gumbiner.

This collection consists of a scrapbook, publications, drafting papers, blueprints, sketches, and design files of architect and USC graduate George Ligar (1918-1995).

This collection consists of the scripts and photographs of American actors June Haver (1926-2005) and Frederick MacMurray (1908-1991).

This collection consists of scripts, correspondences, photographs, film recordings, as well as sketches, a checkbook, and an ash tray from American actor Eddie Mayehoff (1909-1992). Mayehoff was in a number of Broadway plays and films, including "That's My Boy" (1951), "Off Limits" (1952), and "How to Murder Your Wife" (1965).

This collection contains the papers of director John Stahl (1886-1950). Materials include approximately 20 screenplays; correspondence, telegrams, and memos; publicity clippings and reviews of many of Stahl’s films; books (mostly novels); synopses and treatments; approximately 50 photographs and stills; two sketchbooks; and a research book.