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Box 18

 Container

Contains 10 Results:

Vanity Fair, Vol.47 No. 7, 1984 July

 File — Box: 18
Scope and Contents

Article "The Last of the Barrymores" photography by George Hurrell. Pages 62 - 65.

Dates: 1984 July

Vanity Fair, 1985 November

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1985 November

Vanity Fair, 1986 August

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1986 August

Vanity Fair, 1989 December

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1989 December

Vanity Fair, 1990 May

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1990 May

Vanity Fair, 1990 June

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1990 June

Vanity Fair, Vol. 53 No. 7, 1990 July

 File — Box: 18
Scope and Contents

Article "Flashback, Vanity Fair, January 1935." Article about Jean Harlow showing famous Hurrell photo of her on a bear skin rug. Page 60.

Dates: 1990 July

Vanity Fair, 1990 August

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1990 August

Vanity Fair, 1990 November

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1990 November

Vanity Fair, 1991 December

 File — Box: 18
Scope and Contents From the Sub-Series: The GH commercial photography subseries consists of photographs created by Hurrell, and print materials in which Hurrell’s photographs appeared. These consist of portraits created by Hurrell in his studio that employ his characteristic lighting; photographs taken by and of Hurrell during identified photo shoots, including a number for Paris Vogue; magazines and newspapers in which Hurrell’s photographs appeared; various commercial products that used Hurrell’s photographs, including...
Dates: 1991 December