Box 20
Contains 277 Results:
Vintage letter to painter Owen Holmwood in its original vintage envelope on George Hurrell's letterhead "Camera Studies, George E. Hurrell (formerly of Laguna Beach), Los Angeles, Studio Nine, 672 South LaFayette Park Place, Telephone Drexel 7663", 1929 March 14
Copy of a letter to painter Owen Holmwood, on George Hurrell's letterhead "Camera Studies, George E. Hurrell (formerly of Laguna Beach), Los Angeles, Studio Nine, 672 South LaFayette Park Place, Telephone Drexel 7663", 1929 March 1
"Dear Owen, I have made some fine prints of your negatives and will send them down about the middle of the coming week. The amount of work that I have had to do for Ramon Novarro has caused the delay. In exchange for the prints I would rather have the boat panel hanging over the window. Please write and let me know if this is agreeable to you. Remember me to Mrs. Holmwood. Hoping to see you soon, I am Sincerely, Georgie."
Family Tree, 1987 March
From Stephen J. Hurrell, Knoxville, TN to GH.
Letter from Stephen J. Hurrell, 1987 March
Regarding his efforts to reconstruct the family tree.
Letter to Martin Isaacson, 1980 June 28
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter to Martin Isaacson, 1981 March 11
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter from Martin Isaacson, 1981 March 5
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter from Martin Isaacson, 1980 April 24
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter from Martin Isaacson, 1980 April 29
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter to Martin Isaacson, 1980 April 25
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.