Box 20
Contains 277 Results:
Esquire Magazine "Hurrell Girls, Esky card, set #3"
Six cards with envelope.
Lionel Richie printed publicity materials
Printed material, publicity: front and back B&W cover by George Hurrell. GH signed both front and back in black ink to authenticate his work on this project.
Print ephemera
"A Tribute to Joan Crawford" at the Samuel Goldwyn Theater, June 24, 1977, cover photo by George Hurrell. Postcard of Johnny Weissmuller, photo by George Hurrell, 5 x 7", two copies, 1 signed in gold ink by George Hurrell. Publicity program for the movie "1776"; on cover written in GH's hand notes, "All photos by Hurrell". Invitation postcard to Toni Basil at the Roxy, June 17 - 20, 1976, photo by GH. Post card showing photograph of Dorothy Jordan by George Hurrell, unused.
American Broadcasting Company, 1965 August 6
Interdepartment correspondence, American Broadcasting Company, from Michael J. Foster to Joe Maggio. Forwarded to George Hurrell by Joe Maggio regarding "an interesting Museum of Modern Art release re George Hurrell."
American Film Institute, 1984 April 17
Letter from Allan Rich to Walter Kingsley, American Film Institute.
Letter to George Hurrell from Richard Avedon, 1980 November 5
Noting "You have no idea of the way in which as a young man I used to look at your photographs and admire and dream about them. Gratefully, Dick"
Letter from Richard Avedon, 1980 November 5
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Barnet, Bruce A., undated
Letter to Bruce A. Barnet, Publisher Picture Week, Time, Inc., NY, NY.
Basia, 1988 December 6
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Burrows, Lucinda Margaret Griffith, 1979 April 30
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.