Box 22
Contains 169 Results:
Walter Gibson, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.