Box 22
Contains 169 Results:
Ron, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Ron, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Ronald, 1984
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Ronel Agart (Lyonel Laguard?), 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Ron Alexander, 1984
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Derryl [Aronld?], 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Derryl Arnold, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Derryl Arnold, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Derryl Arnold, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Derryl Arnold, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.