Box 4
Contains 16 Results:
Henry Fonda Theater, 1986
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.
Studio One, Ballroom, Fairmont, Manhattan Theater Benefit at New York Hilton, 1986-1987
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.
Bob Hope Cultural Center, Palm Desert, July Fourth weekend, 1988
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.
Studio One; Fairmont Hotel with Vincent Price, Coral, C.N.R., David Ogden Stiers, Gary Graver, Lars Hansen, Joan E. Wayland, Barbara Bladen, 1988
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.
The Ballroom, New York City; Lucy; Designing Women party at Beverly Garland Hotel, 1988
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.
The Ballroom, New York City, 1989-1990
The subseries consists predominately of Pierce's performances as a female impressionist at venues across the country. The photographs also document his early stage work with Rio Dante; he and Dante developed and performed skits utilizing "Les Moppettes." Les Moppettes were puppets that allowed the expressive face of the performer to be seen seemingly attached to a puppet body. The body of the puppet allowed for more exaggerated and comical movements.