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Box 72

 Container

Contains 6 Results:

[Prints inventory and sales ledgers], undated

 File — Multiple Containers
Scope and Contents From the Series:

The Art series consists of materials pertaining to Weisberg's career as an artist. There is overlap with the Correspondence.

Dates: Other: undated

Flesh and Spirit: Middle European Reflections on Mythology, undated

 File — Box: 72, Folder: 1
Scope and Contents From the Series:

The Professional activities series consists of materials pertaining to Weisberg’s work as a curator and critic; her affiliations with professional organizations, including the College Art Association; her involvement with feminist art and organizations; and her involvement with Jewish arts organizations. There is overlap with the Correspondence.

Dates: undated

Six Artists Tackle the Machine, undated

 File — Box: 72, Folder: 2
Scope and Contents From the Series:

The Professional activities series consists of materials pertaining to Weisberg’s work as a curator and critic; her affiliations with professional organizations, including the College Art Association; her involvement with feminist art and organizations; and her involvement with Jewish arts organizations. There is overlap with the Correspondence.

Dates: undated

Dean--Programs and Events, 2008

 File — Box: 72, Folder: 3
Scope and Contents From the Series:

The Education and Teaching series consists of materials related to Weisberg’s tenure at USC, and consists of both administrative and academic materials. There is overlap with the Correspondence series.

Dates: 2008

Feminism, undated

 File — Box: 72, Folder: 4
Scope and Contents From the Series:

The Education and Teaching series consists of materials related to Weisberg’s tenure at USC, and consists of both administrative and academic materials. There is overlap with the Correspondence series.

Dates: undated

Seminar on Jewish Art, 1993-1994

 File — Box: 72, Folder: 5
Scope and Contents From the Series:

The Professional activities series consists of materials pertaining to Weisberg’s work as a curator and critic; her affiliations with professional organizations, including the College Art Association; her involvement with feminist art and organizations; and her involvement with Jewish arts organizations. There is overlap with the Correspondence.

Dates: 1993-1994