Box 4
Contains 109 Results:
Appraisal, 1965
Inventories of Museum artifacts. Most are photocopied, and the location of the originals is unknown.
Appraisal, 1988
Inventories of Museum artifacts. Most are photocopied, and the location of the originals is unknown.
Inventory, 1996
Inventories of Museum artifacts. Most are photocopied, and the location of the originals is unknown.
Stebbins Collection, 1988
Inventories of Museum artifacts. Most are photocopied, and the location of the originals is unknown.
Correspondence, 1961 - 1994
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.
Leonardo de Lorenzo clippings, 1992
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.
Leonardo de Lorenzo correspondence, 1953 - 1961
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.
Leonardo de Lorenzo correspondence, 1989 - 1992
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.
Loans, 1987 - 1992
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.
Musical instrument inventories, 1946
Correspondence, publicity, and inventories of the Museum's extensive collection of rare musical instruments. Much of the collection came from Leonardo de Lorenzo, and records documenting de Lorenzo activities with the Museum are included here.