Box 20
Contains 273 Results:
Christmas card in envelope from Teri and Brooke Shields to George Hurrell
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter from Brooke Shields to George Hurrell, 1983 July 12
Thanking GH for the "lovely purse."
Publicity 2-sheet from the Smithsonian Institution Traveling Exhibition Service regarding "Glamour and Allure: The Hollywood Photographs of George Hurrell.", 1988
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter from Betty Teller, Project Director, Smithsonian Institution Traveling Exhibition Service, 1988 January 11
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Letter to Whitney Stine and George Hurrell, 1978 April 24
From the United Bank of Denver regarding thanking them for help with an exhibition at the bank.
Letter to George Hurrell from K. Dietrich, (Mexico City) congratulating him on his new book with Whitney Stine, 1977 January 8
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Last will of Whitney Stine, showing George Hurrell as a beneficiary of bequests, undated
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Turner, Bjaye/Playboy Magazine, 1985 October 9
Letter discusses GH's fee for shooting the centerfold, noting, "I was expecting the same fee for the Carrie Leigh assignment that was paid for the (Shannon) Tweed photos, $8,700."
Tallmer, Jerry, 1985 March 25
The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.
Temple, Shirley, 1991 July 17
Postcard to George Hurrell from Shirley Temple (Black).