"I have spoken with Jocelyn and everyone at Vogue are delighted with your photos. I have invoiced them for 14 pages at 100 dollars per page which is the top rate for editorial work in Paris."

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.