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Box 20

 Container

Contains 10 Results:

Letter to John Dunnicliff, 1981 April 10

 Item — Box: 20, Folder: 17
Scope and Contents

GH notes regarding the French Vogue fashion shoot, "I shall be indebted to Helmut forever for making it possible." GH talks about a shoot with Faye Dunneway for the film about Joan Crawford, and her upcoming marriage to Terry O'Neil.

Dates: 1981 April 10

Letter to John Dunnicliff, 1981 October 26

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1981 October 26

Letter from John Dunnicliff, 1981 November 6

 Item — Box: 20, Folder: 17
Scope and Contents

"I have spoken with Jocelyn and everyone at Vogue are delighted with your photos. I have invoiced them for 14 pages at 100 dollars per page which is the top rate for editorial work in Paris."

Dates: 1981 November 6

Letter to John Dunnicliff, 1983 March 14

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1983 March 14

Letter from John E. Dunnicliff, 1982 February 5

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1982 February 5

Letter to John E. Dunnicliff, 1982 February 15

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1982 February 15

Letter to John Dunnicliff, 1981 December 18

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1981 December 18

Letter from John E. Dunnicliff, 1981 December 14

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1981 December 14

Letter to John Dunnicliff, 1981 March 4

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1981 March 4

Letter from John E. Dunnicliff, 1981 March 19

 Item — Box: 20, Folder: 17
Scope and Contents From the Series:

The Correspondence series consists of letters to and from George Hurrell, primarily business but also some personal, and letters to Lou D’Elia regarding George Hurrell and his work. The bulk of the correspondence consists of photocopies made by Lou D’Elia while doing research for his exhibition of Hurrell’s photography for the Palm Springs Desert Art Museum in 2004. After copies were made, the letters were returned to storage, and unfortunately were then lost.

Dates: 1981 March 19