Box 97
Container
Contains 13 Results:
Charles Ives, [Second Violin Sonata movements], undated
File — Box: 97, Folder: 1
Scope and Content
Movements II (In the Barn) and III (The Revival). Ozalid copies in Dahl's hand. Lightly annotated
Dates:
undated
Charles Ives, Sonata #1, undated
File — Box: 97, Folder: 2
Scope and Content
Sol Babitz's copy. Lightly marked.
Dates:
undated
Charles Ives, Sonata #3, undated
File — Box: 97, Folder: 3
Scope and Content
Heavily annotated. Accompanied by photocopied typescript of the list of Ives's pencil corrections sent to Sol Babitz and Ingolf Dahl circa 1941.
Dates:
undated
Charles Jones, Sonatina for Violin and Piano, 1942 February 2
File — Box: 97, Folder: 4
Scope and Content
Composer and title written on front cover in ink, not in Dahl's hand. Otherwise unmarked.
Dates:
1942 February 2
Charles Jones, Three Pieces for Piano, 1943 July 24
File — Box: 97, Folder: 5
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1943 July 24
Nico Kaufmann, Lieder-Zyklus, 1967
File — Box: 97, Folder: 6
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1967
Karl Kohn, Encounters for flute-piccolo and piano, 1966
File — Box: 97, Folder: 7
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1966
Karl Kohn, Encounters for horn and piano, 1967
File — Box: 97, Folder: 8
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1967
Karl Kohn, Sonata da Camera, 1965
File — Box: 97, Folder: 9
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1965
Karl Kohn, When to Her Lute, 1963
File — Box: 97, Folder: 10
Scope and Content
From the Series:
Dahl collected scores and parts of compositions by other composers and these are contained in the Works by other composers series. Many of these are annotated by Dahl, many are marked for performance by Dahl, and many are signed by their composer. In addition to well known historical figures, there are scores by contemporary composers as well as many of Dahl's USC students. This series includes both ozalid reproductions and original manuscripts, and commercially available scores. Dahl had...
Dates:
1963