An extensive collection of materials related to 3D images from the library of Virgil Mirano (1937-2018), the cinematographer and visual effects specialist best known for his work on Die Hard (1988), Blade Runner (1982), and Masters of the Universe (1987). From the mid-1970s through the '90s, Mirano manned the still photography labs of three of the largest visual effects (VFX) houses in Los Angeles. He documented the people and the techniques of a variety of films - images that would serve as an inspiration for a whole new corps of artists now working in the industry. Mirano did more than just take snapshots of the crew. He was a master of the camera and printer. For example, Mirano is responsible for the Polaroid of Zhora that Deckard's Esper machine prints for him in Blade Runner , having developed a technique of distorting a 35mm image, then adding grain, and converting it to a Polaroid print. Remarkably, Mirano accomplished this effect in a darkroom without using a computer.

The history of 3D images begins in the 1830s with the invention of the stereoscope. Initially considered a scientific device, the stereoscope soon entered popular culture as Victorian audiences became fascinated with stereo photographs depicting faraway lands, colossal monuments, current events, and comic scenes. 3D motion picture technology followed in the 20th century, along with consumer products such as View Masters and Stereo Realist cameras. These technologies led to lenticular printing and holography, which generate dimensional effects without the aid of glasses.

[See links under "External Documents" for biographical/historical sources]