Ernest Kanitz papers
Scope and Contents
- Kanitz, Ernest, 1894-1978 (Person)
Conditions Governing Access
Conditions Governing Use
Kanitz was not alone when he came to the United States in July 1938. His wife, Getrude Reif, came along with their three children, Elizabeth (born ca. 1922), Tom (born ca. 1924) and Mary Bridget (born ca. 1926). Gertrude must have also been interested in the study of music, as many of the music scores in his collection originally belonged to her during the 1910s. Despite the complications that undoubtedly were involved in uprooting a family of five, they seem to have settled in quickly to a home in South Carolina. Also in 1938, Kanitz embarked on the first step in an extended teaching career, first at Winthrop College in Rock Hill (1938-1941) and then as Head of the Music Department of Erskine College (1941-1944). He also appeared as conductor of various women's choruses and student orchestras. By the early 1940s, almost all members of the family had obtained American citizenship. In 1943, Kanitz's daughter Elizabeth married an American soldier, and his son Tom joined the Army and worked as a photographer throughout World War II.
Things changed significantly for Kanitz after his wife passed away from Hodgkin's disease in 1944. Soon afterward, he went to Los Angeles in the summer of 1944. While it was initially intended to be a short vacation, after a brief time in the city he decided instead to resign from his position at Erskine and try to make a living as a composer and teacher in Southern California. His youngest daughter, Mary Bridget, joined him and found work in Los Angeles. It was a difficult first year as Kanitz tried to establish a career in the highly competitive field of film scoring, and he lived mostly off of some freelance work and private music lessons. But his persistence and diligence prevailed by 1945. When Ernst Toch took the summer off from teaching at USC due to illness, Kanitz was invited to take his place. By November 1945, he was appointed to the faculty at the USC School of Music, where he taught composition and counterpoint until his retirement in 1959 (he returned as a guest professor there in 1960/1961).
From 1961-1964 he taught at Marymount College in Palos Verdes, California. He then devoted himself exclusively to private teaching and composition, activities which were severely restricted in 1967 by diminishing vision. Kanitz died in Palo Alto, CA in 1978.
His compositions include: -Chamber operas (Room No. 12, Royal Auction, Perpetual)
-Orchestral works (Gay Ouverture, Motion Picture, Concerto Grosso for wind instruments, strings and piano; Concert Piece for trumpet and orchestra or piano, Concerto for Chamber Orchestra (1955); Visions At Twilight for flute, piano and strings (1962); Concerto for Bassoon and Orchestra (1962); Sinfonia Seria (first symphony, 1963), Second Symphony (1965); Sinfonia Concertante (third symphony) for violin, cello and orchestra (1967); Sinfonietta da Camera (1972))
-Chamber music (works for solo instruments, 4 duos, 3 trios, 2 string quartets, 3 quintets and one sextet)
-Works for voice (Das Hohelied (Christian Morgenstern), oratorio for four solos, mixed chorus and orchestra (1920; 1921); Music of Our Time, chamber cantata for baritone, women's chorus and chamber orchestra (1932); Evening Festival for Radio for soprano solo, two guitars, two pianos and orchestra (1934); Ballet Music for women's chorus and orchestra (1936); Gotthelf Schlicht, cantata for solos, mixed chorus and orchestra (1937); choral works and songs with piano accompaniment).
He also published A Counterpoint Manual: Fundamental Techniques of Polyphonic Music Writing (Boston, 1948).
85.26 Linear Feet (58 boxes)
Language of Materials
The papers are organized into 6 series: Correspondence; Works by Kanitz; Recordings; Concert Programs and Ephemera; Works by Other Composers.
The organization of the collection was first and foremost by type of material (music scores, correspondence, recordings, etc.) and then chronologically as needed, particularly for the correspondence and ephemera. However, because of the various sizes of music scores and other materials in the collection, storage also played a major part in organization.
- Composition (Music) -- Archival resources
- Exiles -- Austria -- 20th century -- Archival resources
- Kanitz, Ernest, 1894-1978 -- Archives
- Music -- Instruction and study -- California -- Los Angeles -- Archival resources
- Musicians -- California -- Los Angeles -- Archival resources
- Programs (documents)
- Sound recordings
- University of Southern California -- Archives
- Finding Aid for the Ernest Kanitz papers
- Emily Hodgkins
- Description rules
- Describing Archives: A Content Standard
- Language of description
- Script of description
Part of the USC Libraries Special Collections Repository
Doheny Memorial Library 206
3550 Trousdale Parkway
Los Angeles California 90089-0189 United States