Box 22
Contains 169 Results:
Thomas Hunter, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
E.J., 1986
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Noel Jackson, 1983
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Emmett Johnson, 1986
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Emmett Johnson, 1986
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Emmett Johnson, 1986
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Leonard Johnson, undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Charles McGowan, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Charles McGowan, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Charles McGowan, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.