Box 22
Contains 169 Results:
Thomas Auston, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Tommy Battles, undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
William Cooper, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Everitt, 1981
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Everitt at home and in the studio, 1975-1979
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Rodney Flag, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Timothy Frank, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
James Franklin, 1960
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
James Franklin, 1966
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Walter Gibson, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.