Box 21
Contains 132 Results:
Michael King, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Michael King, 1984
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Michael King, 1982
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Billy [Kirksey?], undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Billy [Kirksey?], undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Billy Kirksey, undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Billy Kirksey, undated
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Pardue Knox, 1980
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Stanley Livingston, 1972
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.
Johnny McGinnis, 1981
The bulk of the slides are color 35mm slides. The series also includes the larger 127 format or "super slides," and individual motion picture frames mounted as slides. The images are primarily of nude African-American male models and to a lesser extent: female nude models, Black and White Men Together (BWMT) events, and Everitt's vacation photographs.