Box 10
Container
Contains 11 Results:
Hilda Crane, 1955 - 1955
Item — Box: 10
Identifier: 41W02:01
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1955 - 1955
How Green Was My Valley, 1941 - 1941
Item — Box: 10
Identifier: 41W02:02
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1941 - 1941
In Love And War, 1958 - 1958
Item — Box: 10
Identifier: 41W02:03
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1958 - 1958
Johnny Apollo (aka Dance With The Devil, 1939 - 1939
Item — Box: 10
Identifier: 41W02:04
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1939 - 1939
Lancer Spy, 1937 - 1937
Item — Box: 10
Identifier: 41W02:05
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1937 - 1937
Last Of The Mohicans, The, 1936
Item — Box: 10
Identifier: 41W02:06
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1936
Late George Apley, The, 1947 - 1947
Item — Box: 10
Identifier: 41W02:07
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1947 - 1947
Lisa (aka The Inspector), 1962 - 1962
Item — Box: 10
Identifier: 41W02:08
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1962 - 1962
Luck Of The Irish, The, 1948 - 1948
Item — Box: 10
Identifier: 41W02:09
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1948 - 1948
Lydia Bailey, 1952 - 1952
Item — Box: 10
Identifier: 41W02:10
Scope and Contents
From the Collection:
Collection consists of files for each film worked on by writer, director, producer Philip Dunne (1908-1992); 5 reels of taped self-interviews; working copies of 15 novels adapted for the screen. Each file deals with individual films and covers pre-production memos from actual story conferences to post-production editing. For each film that Dunne scripted and directed there is a bound copy of the final shooting script with photographs of the production. Screenplays include How Green Was My...
Dates:
1952 - 1952