Box 1
Contains 23 Results:
Correspondence, undated
The series correspondence includes private correspondence with family and friends as well as correspondence relating to Matray’s artistic life both, in Germany and the US.
Correspondence, 1914, 1915, 1917
Two letters from Matray's father.
Two telegrams about bad health and death of father, asking Matray to come.
One telegram mentioning the funeral of father.
One letter from notary saying that the estate will stay with Ernst Matray's mother.
Correspondence, 1927 - 1927
Thank you letter from Max Reinhardt.
Correspondence, 1932
Documents for getting a patent for a choreography called "Der tanzende Fluegel," Reichspatentamt Berlin.
Correspondence, 28 April 1936
Letter by Kurt Weill to Ernst Matray.
Correspondence - "Chaplin Viopis", 1952-1953
Exchange of letters between Ernst Matray and Grayce Smith discussing a copyright issue of a theatrical piece called "The Flea," as devised by Ernst.
A letter to Jennings Lang with a short biographical sketch.
A letter to John Darrow.
A letter to the William Morris Agency cancelling his and his (then) wife Maria Matray's contract with the same agency.
A letter in German.
Correspondence - "Vertrag, Hamburg", 1954-1955, undated
Various contracts between Ernst Matray and Deutsches Schauspielhaus Hamburg.
Correspondence, 1958 - 1959
A document in German.
A letter to Phoebe discussing the extra-marital affairs of his wife Maria with Victor.
Correspondence, 1961
Letter to Porsche-Werke.
Two letters to Kindler Verlag Munich regarding a manuscript.
Letter from Annemarie to Jinny (Ernst Matray).
Reviews of the play Abendgesellschaft by Maria Matray.
Letters to various publishers regarding Matray's planned autobiography .
Correspondence - Maximilian Gruhl to Ernst Matray, 1961-1965
Letters between Maximilian Gruhl (lawyer) and Ernst Matray re. compensation and retirement payments.